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THE LATEST — FASHION

Now that Melbourne’s last artisan pleater is threatened, it’s clear the Australian fashion manufacturing industry is feeling the pinch.

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Vintage fashion is the antitheist of fast fashion, and buying preloved clothing is a sustainable way to shop. If it’s not something you’ve ever done before, now is the perfect time to dip your toes in a world of all things yesteryear.

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The Raisin Dit It now in its fifteenth year of operation, but it’s been a unique slow fashion label with a vintage-inspired twist from the very beginning.

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Values are what make us human. Values are what connect us, but they’re also what separates us. I value ethics and sustainability, and Burberry values their ‘reputation’, which is why they burn their end of season stock.

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Margaret Mead was the one who said, “Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it is the only thing that ever has.”

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It is estimated that between 8 and 13 million tonnes of plastic leaks into the world’s oceans each year to be ingested by seabirds, fish and other organisms, and more than 230,000 tonnes of it are microplastics. 

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53 million tonnes of clothing will be produced this year and 87% of it will be landfilled or be incinerated. It’s a fact that we cannot ignore any longer; what are we doing about it? 

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Instead of just quitting fashion, I’m trying to change it. I embrace sustainability. I empower people who are designing for positive change. I advocate for transparency. I am socially responsible.

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More than 60% of small businesses cease trading within the first three years of operation. It’s a hard statistic to swallow considering small businesses are the backbone of the Australian economy.

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I don’t care how expensive it seems, how flashy you make it look, or which Kardashian you drape it over; a $5000 bag is anything but desirable if a woman has been exploited to make it.

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Let’s celebrate those who stand up against modern slave labour, and support the independent Australian designers who put people before profit.

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And any solo-designer would know – it's the hours you work by yourself that are the most difficult. When you’re in your own head managing 41 million different tasks and trying to stay sane and be creative at the same time, things can get a little overwhelming.

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Over the past five years, the fashion industry has woken up. For Sarah Garrett-Hodoniczky though, sustainable fashion is something she’s spent the last 15 years advocating for. 

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The fashion industry moves fast. I’m not just talking about the shift from slow fashion to fast fashion – but the rate at which the sector innovates, expands and changes.

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The latest Gun Shy collection, Cirque De Merde, has just arrived it all its fluffy glory, and it is the most dramatic range yet from the Melbourne made label.

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Janette designs for positive change; Why Mary is for the independent woman, for those who desire to dress with a difference and stand out against mass-produced unethical fashion.

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As a community, we take responsibility for the impact that our industry has on people and the planet and our designers are at the forefront of the revolution.

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Faye De Lanty is an advocate for sustainable fashion, a thrift-shop stylist, and a passionate environmentalist.

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Camille Reed has seen every side of the rag trade and now, she's determined to change it for the better with her inaugural event, The Australian Circular Fashion Conference.

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Sanctum is a visual representation of Paolo's journey through depression and anxiety, and an ode to loved ones going through the same battle. It illustrates the dichotomy of fragility and strength of the human mind and reflects ideologies on mental health.

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We all tend to make New Year’s resolutions, but what about new month resolutions? Sticking to one goal for a whole year can be hard, and let’s be honest, it’s pretty easy to fall off the wagon every now and again.

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April, Aaron and Declan are passionate about sustainability. Driven by their combined entrepreneurial spirit and desire to combat fast fashion, the team's business launch couldn’t come at a better time.

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MOGA Founder and Creative Director, Azahn Munas, has designed the scarf to represent much more than the modern Christmas we’ve all come to know that over-emphasises spending and gift-giving.

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We make 400 billion square meters of textiles every single year. 60 billion square meters of that ends up as waste on the cutting room floor, heading straight into landfill.

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